Halloween MMXV

Come and join us for Halloween to start our 5th birthday celebrations.  We are in The Abacus on the 31st with a selection of installations and works from the last 5 years.

The Abacus, Wood Street, Cardiff CF10 1ER
 Saturday 31 October  6pm – late

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To make it extra special there will be live performances from Ian Watson and Jacob Whittaker, possibly others (tbc)…

Jacob has brewed a very special wine made from 666 blackberries which may or may not be fatal/palatable/satanic/available ….

This probably isn’t it being made…

Made in Roath 2015

RSTFor Made in Roath 2015, Absent but not Forgotten were lucky enough to be able to work with Rose Street Flea Market to install existing work as part of the festival on 11 October and will also be undertaking a mini ‘residency’ in the building on 7 & 8 November.

For 11 October we started to get a feel for the location having met with proprietor, Frank a few times to chat about the flea market and his experiences of being in the building over the last 4 years.

The flea market is an amazing warren of objects collected together by proprietor Frank from a lifetime of magpie finds and house clearance. What appears to be a completely eclectic muddle of things we found to be actually quite carefully thought about and placed. It has the satisfying illusion of chaos which allows the visitor to feel like an explorer discovering everything for the first time.

We wanted our first foray into the building to be unobtrusive. We decided to select a number of framed-up prints from our ‘ghost-in-a-sheet’ series of lo-fi and Polaroid images to place discreetly amongst the existing framed pictures and photographs for visitors to happen upon.

Thanks to Frank for hosting us (and for getting under a sheet for a quick snap!) and to Made in Roath for finding us such a great venue.

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A Dark Dark Night in Roath

Absent but not Forgotten were very pleased to be invited to haunt the recent Made in Roath event, Dark Dark Night Walk on Saturday 18 January, a night-time walk around Roath starting in Roath Park Rec. It was a perfectly cold, crisp evening – we could be spotted at various locations along the route finishing with a re-showing at Spit & Sawdust of our Made in Roath ‘Haunting Places‘ films made in the summer of 2014.

Haunting Places: Roath

thirteenfridays

thirteenfridays

What’s in a number?
There seems to be a general consensus that both 13 and friday are individually unlucky so together they become disastrous! this article might explain some of the origins of our fears!

Several stories revolve around food and meals so to celebrate the two Friday 13ths in 2013 (13 weeks apart) we are created 13 meals over 13 weeks each involving the number 13.

The work was documented here from September to December 2013.

Fiendish Franglais

thirteenfridays

The seventh of our thirteenfridays meals was designed and prepared by guest chef, Kirsten Hinks. Unfortunately I couldn’t be there so I missed out on this frighteningly good looking fare!

Tonight’s Menu –
Crostini
Chilling Crostini Chevre – 13 goats cheese and fig crostini.

codnfrites
Portentous Poisson & Pomme Frites – 13 goujon of cod with 13 chunky chips and homemade tartar sauce.

Gateaux
Gateâu St Jude – puff pastry, chocolate and vanilla cream with 13 choux buns.  St Jude is the patron Saint of desperate cases and lost causes and his day is 28 October (the big storm forecast for this Sunday is called St Jude).

“It’s Halloween next week – I expect all three courses to resemble eye balls.” Kirsten Hinks

Score Valley, Ilfracombe

Score Valley

Absent but not Forgotten have created new work for Ilfra Expo based on our recent visit and stay in Ilfracombe’s Score Valley.
You can see the work at the Olde Thatched Inn, Hillsborough Road, Ilfracombe, EX34 9PG  from 14/07/13 – 04/08/13.

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Join us 11am – 1pm Ilfracombe Museum, and 7pm – 9pm at The Olde Thatched Inn
Come and be photographed as a Ghost-in-a-sheet with artists, Kathryn and Jacob (Absent but not Forgotten) and join our spooky online gallery of spectres!

See more from our ghost gallery here.

Whistle Quietly

Absent but not Forgotten: ‘Who is this who is coming?’
(Technical processes)

The installation for Oriel Davies consists of 2 main elements; A video presented on the vintage television and a 4 channel sound work allied to the table setting.  Derived from the incidental audio within the breakfast scene, the sound emanating from the table is presented as 2 separate stereo works. A number of techniques and ideas were used in its production.

First of all the scene was examined to identify all of the sounds that contain no dialogue – the silences between words; cutlery on crockery; sounds of the professor eating etc. were extracted and placed in a time-line. While the volume was increased, the durations and relative positions of these clips were maintained to keep the random rhythmic structure of silences within the scene.

The very short, sharp sounds of cutlery and crockery were extracted and condensed to remove the gaps in between and create a single sample. This was then treated using software dedicated to time-stretching, changing the 4 second sample into 4 minutes. This element in the overall sound is the more musical, orchestral, composed sounding piece. The musical tonal qualities coming from the ringing sound of the original samples.

The clip of condensed sounds of the cutlery and crockery was added a second time and time-stretched to 15 seconds, this time allowing the samples to pitch shift with the duration change. Finally the unprocessed, individual cutlery and crockery samples were reintroduced to the time-line and scattered randomly throughout the time-line, repeating to spread them across the entire duration.

These 3 elements were then combined into 2 stereo files, each containing the more musical element in both channels and the silences or cutlery placed in only the left or right channel. Playing together as separate sources allows small variations in the timing which when combined with the sound on the television create a complex, subtly changing work.

The use of recorded silences has been important within Absent but not Forgotten since it’s inception in 2010. It’s use is derived from ideas surrounding paranormal investigation and EVP (Electronic Voice Phenomenon), and in particular the studies undertaken by my grandfather who used to attend spiritualist meetings, record the medium and analyse the silences within the recordings to try and find evidence of the voices. We have adopted this technique and used it as a starting point within a number of our video and installation works.

The video is a simple corruption of footage from ‘Whistle and I’ll come to you’ using filters which emulate analogue detuning and static interference. The breakfast scene emerges from the distorted, detuned footage roughly once every 10 minutes. The white noise soundtrack within the video is created by processing silences extracted from the breakfast scene, with the volume modulated randomly, the scene itself has it’s soundtrack left intact.
JW

(The video below uses a stereo version of the same audio described above)