To kick off a series of events for ABNF V (celebrating our fifth year of Absent but not Forgotten) we held a one night only retrospective exhibition in The Abacus, Cardiff. An amazing space to show in, we were able to include a number of works from the last 5 years.
As well as the installations and artworks we offered evil home-brewed refreshments and toasted the event with our special reserve ‘666’ blackberry wine (brewed from 666 blackberries). Live Halloween sounds were created by Jacob Whittaker and his vinyl loops of horror and a new performance from invited artist Ian Watson, a truly terrifying blend of electronic noise, mask and sportswear!
Our interactive corner invited some homespun ghostly shenanigans – thanks to all our Sheet n’ Tweeters!
Come and join us for Halloween to start our 5th birthday celebrations. We are in The Abacus on the 31st with a selection of installations and works from the last 5 years.
The Abacus, Wood Street, Cardiff CF10 1ER
Saturday 31 October 6pm – late
To make it extra special there will be live performances from Ian Watson and Jacob Whittaker, possibly others (tbc)…
Jacob has brewed a very special wine made from 666 blackberries which may or may not be fatal/palatable/satanic/available ….
This probably isn’t it being made…
Absent but not Forgotten were featured at the Bring Your Own Beamer event at Draw Inc in Hamilton New Zealand on 15 May. Thanks to BIT Studios in Cardiff who organised for the BYOB Cardiff II artists to be screened in NZ.
What’s in a number?
There seems to be a general consensus that both 13 and friday are individually unlucky so together they become disastrous! this article might explain some of the origins of our fears!
Several stories revolve around food and meals so to celebrate the two Friday 13ths in 2013 (13 weeks apart) we are created 13 meals over 13 weeks each involving the number 13.
The work was documented here from September to December 2013.
Absent but not Forgotten have created new work for Ilfra Expo based on our recent visit and stay in Ilfracombe’s Score Valley.
You can see the work at the Olde Thatched Inn, Hillsborough Road, Ilfracombe, EX34 9PG from 14/07/13 – 04/08/13.
Join us 11am – 1pm Ilfracombe Museum, and 7pm – 9pm at The Olde Thatched Inn
Come and be photographed as a Ghost-in-a-sheet with artists, Kathryn and Jacob (Absent but not Forgotten) and join our spooky online gallery of spectres!
See more from our ghost gallery here.
Absent but not Forgotten: ‘Who is this who is coming?’
The installation for Oriel Davies consists of 2 main elements; A video presented on the vintage television and a 4 channel sound work allied to the table setting. Derived from the incidental audio within the breakfast scene, the sound emanating from the table is presented as 2 separate stereo works. A number of techniques and ideas were used in its production.
First of all the scene was examined to identify all of the sounds that contain no dialogue – the silences between words; cutlery on crockery; sounds of the professor eating etc. were extracted and placed in a time-line. While the volume was increased, the durations and relative positions of these clips were maintained to keep the random rhythmic structure of silences within the scene.
The very short, sharp sounds of cutlery and crockery were extracted and condensed to remove the gaps in between and create a single sample. This was then treated using software dedicated to time-stretching, changing the 4 second sample into 4 minutes. This element in the overall sound is the more musical, orchestral, composed sounding piece. The musical tonal qualities coming from the ringing sound of the original samples.
The clip of condensed sounds of the cutlery and crockery was added a second time and time-stretched to 15 seconds, this time allowing the samples to pitch shift with the duration change. Finally the unprocessed, individual cutlery and crockery samples were reintroduced to the time-line and scattered randomly throughout the time-line, repeating to spread them across the entire duration.
These 3 elements were then combined into 2 stereo files, each containing the more musical element in both channels and the silences or cutlery placed in only the left or right channel. Playing together as separate sources allows small variations in the timing which when combined with the sound on the television create a complex, subtly changing work.
The use of recorded silences has been important within Absent but not Forgotten since it’s inception in 2010. It’s use is derived from ideas surrounding paranormal investigation and EVP (Electronic Voice Phenomenon), and in particular the studies undertaken by my grandfather who used to attend spiritualist meetings, record the medium and analyse the silences within the recordings to try and find evidence of the voices. We have adopted this technique and used it as a starting point within a number of our video and installation works.
The video is a simple corruption of footage from ‘Whistle and I’ll come to you’ using filters which emulate analogue detuning and static interference. The breakfast scene emerges from the distorted, detuned footage roughly once every 10 minutes. The white noise soundtrack within the video is created by processing silences extracted from the breakfast scene, with the volume modulated randomly, the scene itself has it’s soundtrack left intact.
(The video below uses a stereo version of the same audio described above)